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ON THIS PAGE:

—THE WEST ST KILDA AREA

—THE RESIDENTS ASSOCIATION

—WHY ENGAGE WITH LOCAL COMMUNITY GROUPS?

Panel 1

The West St Kilda Area






West St Kilda is bounded by Beaconsfield Parade, Fraser Street, and the No. 96 tram line. Built on reclaimed marshland at the turn of the 19th century, West St Kilda occupies a relatively small part of the City of Port Phillip, wedged between Albert Park Reserve & Port Phillip Bay at their narrowest convergence.

Mixing the sometimes confronting character of Fitzroy Street & St Kilda to its south-east with the urban gentility of Middle & Albert Parks to its north-west, this densely populated area is dotted with early 20th century flats & post-war apartment blocks, while featuring some of the most exuberant post-Victorian domestic architecture in Australia. With a little imagination, combined with the changing light at different times of the day or year, you may easily sense the atmosphere and drama of a bygone era in several of its streetscapes.



Ngargee to Nerm/Nairm: From Ancient Tree to Ancient Sea. Image Port Phillip EcoCentre

Before European settlement in what is now known as St Kilda, Australia’s First Peoples called it Euro Yuroke, from the Boon Wurrung language of the Yaluk-ut Weelam Clan of the Bunurong Boon Wurrung people—the original inhabitants and traditional custodians of this land, its waters and air.



Within our borders: Catani Gardens and St Kilda West Beach. Across the shallow water: the Royal Melbourne Yacht Squadron marina berths. On the other side of the tram tracks: Albert Park Reserve sporting clubs. On the other side of Fitzroy Street: the Victorian Pride Centre, the Prince Of Wales Hotel, the Fifth Province & Freddie Wimpoles, Bistro Volière & Lucien, Banff, Chronicles Bar & Tom’s Liquor, Leo’s, Cone Heads, Di Stasio’s, Topolino’s! Along the foreshore: Donovan ‘s, Stokehouse, Republica, Beachcomber, South Pacific Health Club gym and swimming pool. On the Esplanade and Lower Esplanade: The Espy, Luna Park, the Palais Theatre. Along and around Acland Street: Linden New Art, Theatre Works, The National, Memo Music Hall, Artful Yoga, Cicciolina, The Vineyard, Abbey Road, the St Kilda Community Gardens. On Blessington St: Johnny’s, the St Kilda Botanical Gardens, the Port Phillip EcoCentre.

More about St Kilda Places here



KILDA WAS NO SAINT !

Various theories have been proposed for the word Kilda’s origin, which dates from the late 16th century. No saint is known by the name.

Haswell-Smith (2004) notes that the full name St Kilda first appears on a Dutch map dated 1666, and that it might have been derived from Norse sunt kelda (“sweet wellwater”) or from a mistaken Dutch assumption that the spring Tobar Childa was dedicated to a saint. (Tobar Childa is a tautological placename, consisting of the Gaelic and Norse words for well, i.e., “well well“.) Scottish writer Martin Martin, who visited in 1697, believed that the name “is taken from one Kilder, who lived here; and from him the large well Toubir-Kilda has also its name.”

– Wikipedia on St Kilda

There’s Never Been A St Kilda
Music & Video by Mal Webb, James Cattell, Dominic Hook, Kylie Morrigan et al


Watercolour by Melbourne Artist Goldy Essential

VIVA CATANI !

Throughout Carlo Catani’s positions at the Lands and Public Works Departments as surveyor and draughtsman and his latter engineering roles he was crucial to the development of our late colonial through to early state arterial roadways. 

The St Kilda Foreshore Gardens are 15 acres of foreshore reclaimed by Carlo Catani amidst 27 acres of St Kilda shoreline that he designed and landscaped. Catani Gardens are seen to embody Mediterranean influences that Carlo gleaned from his European tour of 1912, which ’til today fixes Catani as one of Victoria’s chief place-makers.

– Victorian Collections on Carlo Catani



Melaleuca alternifolia at Catani Gardens. This ancient tea tree was last seen in the Spring of 2023. Image Gerome Villarete Melbourne

Heritage-listed Catani Gardens covers approximately six hectares of West St Kilda’s foreshore. This greenspace promenade and gathering place by the bay also serves as outdoor venue for music & arts festivals, dance parties, and leisure sports competitions held during the warmer Melbourne months, from the Spring Carnival in November to around the Easter holidays in March/April.



Unleash man’s best friend. All of West Beach — from St Kilda Pier to Fraser Street — is a dog beach year-round. Image Gerome Villarete Melbourne

West St Kilda residents worked with local community groups and local and state authorities to restore Catani Gardens and West Beach — the foreshore stretching from St Kilda Pier to Fraser Street.


“West Beach in St Kilda West, Victoria, was named the Overall Winner of the Keep Australia Beautiful National ‘Clean Beaches’ Awards in October 2016. Supported by the Port Phillip EcoCentre, the beach was recognised for its cleanliness, sustainable practices, and community engagement.

The award highlighted the effective partnership between the EcoCentre, local residents, businesses, and council in maintaining the beach, as well as the success of the Young Legends program. In addition to the top prize, the site was recognised for excellence in sustainability, litter prevention, and community education.”


“In 2017 realestate.com.au ranked Australian capital city suburbs by their access to schools, work opportunities, and a number of other factors. The top 10 suburbs were all in Victoria or Queensland. The nation’s ‘most livable’ suburb was St Kilda West (Albert Park came in at number 7 and Port Melbourne at number 9). As Melbourne was rated as the world’s most livable city from 2011 to 2017, we figure that St Kilda West must be the world’s most livable suburb! “ —Colin Fryer, President’s Report 2018 AGM

West Beach on windy days. Image Gerome Villarete Melbourne


Mary Street, West St Kilda. Image Gerome Villarete Melbourne

Who lives in St Kilda West? Find out from the 2021 Census


Panel 2

The Residents Association


The West St Kilda Residents Association is a not-for-profit, volunteer, community-based organisation of West St Kilda residents. It is non-sectarian and not politically partisan.
Its general objective is to serve the community interests of West St Kilda residents.



The West St Kilda Residents Association aims to provide an open and public forum for all West St Kilda residents to express their views and to be informed on issues relating to their community.

– Preserving and enhancing neighbourhood character and residential amenity
– Town planning, traffic management, parking regulation and public transport, and
– Preservation of heritage buildings.



The West St Kilda Residents Association promotes integrated planning, active consultation, communication and engagement between all stakeholders in the neighbourhood.



St Kilda Town Hall on Carlisle Street. Image Gerome Villarete Melbourne

The West St Kilda Residents Association was formed on 23 March 1999 at a public meeting of about 100 residents of the West St Kilda area at what was then the West St Kilda RSL Club at 23 Loch Street.

The membership adopted Model Rules for an Incorporated Association and applied for incorporation on 8 June 1999 under the Associations Incorporations Act of 1981. This was granted on 18 June 1999.

After the Victorian State Government passed the Associations Incorporation Reform Act of 2012, the West St Kilda Residents Association Committee drafted a set of rules based on the new model, with changes to suit our specific requirements. These were approved at the 13 November 2013 AGM and accepted by Consumer Affairs Victoria.



The West St Kilda Residents Association is non-sectarian and not politically partisan.



Contours Of Catani (2021) by Buff Diss Artist. Image Gerome Villarete Melbourne

CONTOURS OF CATANI
A public amenity uplift project

One of the public toilets in West St Kilda is located in Cummings Reserve, on the wide nature strip on Beaconsfield Parade. Its location is in a prime entertainment, sports, leisure and residential area in one of Melbourne’s treasured beachside locations.

The old brick toilet block had been slated for demolition by Port Phillip City Council, but due to more delays in the implementation of plans and the severe lack of upkeep, the public amenity had become a local blight. It is, however, a perfect canvas for public art.

That old, dilapidated toilet block is now a welcome community landmark, albeit still looking a bit run down once you walk in. We can only encourage Council to consider building the planned new public toilets next to the existing structure or in another location nearby, or to come up with a novel design that integrates the old structure; after all, this open-air brick toilet block must be one of the last of its generation in our bayside city.



Bay Totem (2001) by Peter Blizzard, Artist. Image Robert Hamer

BAY TOTEM
A commemorative public art project

From the Creative Brief (August 2000) of the Sculpture Fountain Commission:

“Artists are invited to submit concepts for a sculpture fountain that both meets the commemorative aspect of Federation and blends harmoniously with a spectacular yet sensitive environment. It is envisaged that the proposed installation should be enduring and provide a new icon of historical and cultural significance to the City of Port Phillip and greater Melbourne.

The aim of the project is to mark one hundred years of Australian nationhood around a theme that may be described as ‘emerging together’- a concept equally relevant to Australia in the next one hundred years as we tackle the remaining tests of tolerance and reconciliation. The water element symbolic of continuity and an ongoing process of calmness and healing.

In developing this theme artists may wish to consider Federation in its broadest context: how do we view it, what does it mean to us? How to describe in visual terms what came out of this era—an upsurge of new ideas and international influences, a wider recognition of the hemisphere in which we live, or a re-affirmation of our own national identity?

Alternatively, we may see this process in human terms: as a new beginning, to give us an occasion to review our history and challenge attitudes to Indigenous cultures and to successive immigrant groups. It may also be a spiritual journey, contemplative and reassuring of our ability to connect, change and evolve over time.”

Commissioned jointly by the City of Port Phillip and the West St Kilda Residents Association.


Panel 3

Why engage with local community groups?

“There’s a way a disaster throws people into the present and sort of gives them this supersaturated immediacy that also includes a deep sense of connection. It’s as though in some violent gift you’ve been given a kind of spiritual awakening where you’re close to mortality in a way that makes you feel more alive; you’re deeply in the present and can let go of past and future and your personal narrative, in some ways. You have shared an experience with everyone around you, and you often find very direct, but also metaphysical senses of connection to the people you suddenly have something in common with.

“And then oftentimes, the people who do the really important work in disasters, which doesn’t get talked about much, are the neighbours. Who’s going to rescue you when your building collapses? When the ice storm comes and the power goes out? It’s probably going to be the neighbours.

“And so the question is really like two things. One is how can we get there without going through a disaster, and …”

Rebecca Solnit | Falling Together
From the On Being Project with Krista Tippett

On Hope from the On Being Project with Krista Tippett

Do you feel like you belong where you live? What does “community” mean to you? And what makes you feel like a local?

A local community can be understood through both proximity and the proximate.

Traditional views, such as those of Ferdinand Tönnies, emphasise physical closeness, where Gemeinschaft describes communities formed through shared space and strong interpersonal ties. However, modern perspectives show that proximity alone does not guarantee meaningful connection.

Émile Durkheim highlights how complex societies rely on interdependence rather than emotional closeness, while Benedict Anderson demonstrates that communities can be “imagined,” sustained through shared identity rather than physical interaction. Thus, the proximate—social, emotional, and symbolic closeness—can exist without geographic proximity.

A community, therefore, is best defined as a network of relationships shaped not only by spatial nearness but by the depth of connection, shared meaning, and ongoing interaction among its members.

Engaging with local community groups—especially neighbours—matters because it strengthens both everyday life and broader social wellbeing.

At the most immediate level, neighbours are the people you are in closest proximity to, making them the most accessible source of support. Regular interaction builds trust, which can translate into practical benefits like sharing resources, improving safety, and providing help in emergencies. These repeated, face-to-face encounters also foster what sociologists call social cohesion—a sense of belonging and mutual responsibility.

From a theoretical perspective, engaging with neighbours helps move relationships from impersonal coexistence toward the more connected form described by Ferdinand Tönnies as Gemeinschaft. It transforms mere proximity into the proximate—meaningful social ties. Similarly, it strengthens the kind of shared norms and trust that Émile Durkheim associated with social solidarity.

Ultimately, connecting with neighbours turns a place of residence into a community, enhancing wellbeing, resilience, and a sense of belonging.

Panel 4 Placeholder